Works
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New Work (2024) for Orchestra ~5’
Commissioned by the Pittsburgh Symphony Orchestra to be premiered February 21–23, 2025.
“Solid Ground” (2024) for 9 instrumentalists ~10’
[Hn.JAZZ tpt.JAZZ voice.pno.2 perc.vln.2 vlc]
Commissioned by the Dresden Musikfestspiele and premiered by Ernesto Herrera Del Rio, Bill Petry, Andrea Motis, Maxim Lando, Aaron Grünwald, Martin Grubinger, Kristine Balanas, Margarita Balanas, and Jan Vogler on June 1, 2024 at the Kulturpalast in Dresden, Germany with Hannah Ishizaki conducting.
my eyes will gleam (2023) for 2 vocal soloists, choir, and orchestra ~6’
[2211 1110 timp.hp.pno.SOLO Mezzo-Soprano.SOLO Alto.SATB Choir.Strings
Commissioned by the Columbia Bach Society and premiered December 9, 2023 at St. Paul Chapel, NYC.
Odori (2023) for Orchestra ~10’
[2222 2200 timp.strings]
Commissioned by Ian Carleton Schaefer and the Second Ending Ensemble and premiered June 17, 2023 at Merkin Hall, NYC.
Fractured Transformations (2022) for Orchestra ~10’
[3333 2211 timp+3.hp.pno.strings]
Premiered by Jeffrey Milarsky and The Juilliard Orchestra April 18, 2022 at Alice Tully Hall, NYC.
Miniatures (2022) for String Orchestra ~10’
[violin 1, violin 2, viola, cello, bass]
Commissioned by the Three Rivers Young People’s Orchestra (TRYPO) and premiered by Hannah Ishizaki and TRYPO’s Symphonette May 28, 2022 at Heinz Hall, Pittsburgh.
Patchwork (2021) for Solo String Quintet and String Orchestra ~12’
[SOLO violin.SOLO violin.SOLO viola.SOLO cello.SOLO double bass.strings]
Written for and recorded by Kevin Zhu, Nathan Meltzer, Joshua Kail, Sterling Elliott, and Nina Bernat and the Juilliard Orchestra May 4, 2021.
Up/Down (2017) for Chamber Orchestra ~9’
[0020 2000 strings]
Commissioned by the Pittsburgh Chamber Orchestra and premiered September 10, 2017.
City of Bridges (2017) for Orchestra ~4’
[2222 4231 timp+2.strings]
Written for the Pittsburgh Youth Symphony Orchestra and the Pittsburgh Symphony Orchestra and premiered by the Pittsburgh Symphony Orchestra February 18, 2017.
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“New Work” (2024) for string quartet and audience participation ~4’
Commissioned by Music Sharing to be premiered by Midori and the ICEP Quartet in Nepal December, 2024.
“New Work” (2024–2025) for cello, piano, and electronics
Commissioned by Natasha Brofsky.
“Collide” (2024) for string quartet ~10’
Written for the Attacca Quartet. To be premiered December 3–4, 2024 at Princeton University.
Written for the Sō Percussion Summer Institute and premiered by students on July 27, 2024 in Princeton, New Jersey.
“Violin Sonata” (2024) for violin and piano ~23’
Commissioned by the New Jersey Composers Guild. Written for and premiered by Nathan Meltzer, violin, and Danae Dörken, piano on May 23, 2024, presented by the Moritzburg Festival and the Dresden Musikfestspiele.
“Set Theory” (2024) for percussion quartet [one drumset] ~10’
Written for and premiered by Sō Percussion on May 14, 2024 in Princeton, New Jersey.
“Elegy” (2024) for string quartet ~15’
Written for the Lakes Area Music Festival and premiered by the Thalea Quartet on August 3, 2024.
“Ah, Ee, Oo, Eh, Oh” (2024) for Five Voices [countertenor, 2 tenors, baritone, bass] ~4’
Written for and premiered by Gallicantus in Princeton, New Jersey in February, 2024.
Bit Chip (2023) for flute and marimba ~7’
Commissioned by the Coriolis Duo.
The Crocodile and the Monkey’s Heart (2023) for string quartet and audience participation ~5’
Commissioned by Midori Goto and premiered by the ICEP quartet in December 2023.
Zipper Music (2023) for percussion quartet ~7’
Premiered by Will Hopkins, Braden Vaughn, David Lee, and Aiden Gold May 1, 2023 at the Juilliard School.
Float/shake (2023) for piano trio [violin, cello, piano] ~9’
Written for Longleash and recorded in August 2023 at the Loretto Project.
Amefuri (2023) for string quartet and audience participation ~5’
Commissioned by Midori Goto and premiered by the ICEP quartet in June 2023.
Ammonite (2023) for piano trio [violin, cello, piano] ~9’
Commissioned by the New York City Ballet Choreographic Institute and written in collaboration with Gabrielle Lamb.
String Octet (2022) [4 violins, 2 violas, 2 cellos] ~10’
Commissioned by the Moritzburg Festival and premiered by Nathan Meltzer, Mira Wang, Kevin Zhu, Karen Gomyo, Lars Anders Tomter, Ulrich Eichenauer, Guy Johnston, and Aleksey Shadrin on August 21, 2022.
Music for Stones (2022) for percussion quartet ~8’
Premiered by Simon Herron, Will Hopkins, Oliver Xu, and Parker Meek on May 12, 2022.
Stretched (2022) for solo clarinet, solo double bass, violin, viola, and cello ~10’
Commissioned by the Grace Note Farm Music Festival.
Aftertime (2022) for soprano and 2 violins ~15’
Commissioned by the Glassclouds Ensemble.
Prism (2021) for string quintet [2 violins, viola, cello, double bass] ~4’
Written for the Musicians of the Pittsburgh Symphony Orchestra.
Distant Bells (2021) for horn and harp ~4’
Written for Ensemble Intercontemporain.
Bass Trombone Concerto (2019) for bass trombone and piano ~15’
Written for Ehren Valme.
Kritik (2019) for soprano and piano ~7’
Premiered at the Schola Cantorum in Paris at the European American Musical Alliance in 2019.
Sticks and Stone (2019) for clarinet, percussion, piano, violin, and cello ~12’
Premiered at the Yellow Barn Young Artist Program in 2019.
Fork, Knife, and Spoon (2018) for piano and 2 percussionists ~12’
Premiered at the Yellow Barn Young Artist Program in 2018.
Lyrids (2018) for piano quartet [violin, viola, cello, piano] ~8’
Premiered at the Yellow Barn Young Artist Program in 2018.
Seven Morals (2017) for 3 percussionists ~8’
Written for the Lake Champlain Chamber Music Festival.
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“New Work” (2024) for clarinet and piano ~5’
Commissioned by Anoush Pogossian.
Waves and Folds (2022) for solo horn ~6’
Commissioned by Gaby Pho and premiered May 4, 2022.
Stitching (2022) for solo piano ~8’
Commissioned by Umi Garrett and premiered April 8, 2022.
Resting Space (2021) for solo viola ~5’
Commissioned and premiered by Jeremy Klein.
In A Room (2020) for solo violin, arr. solo viola ~4’
Written in collaboration with choreographer and performer, Ellexis Hatch. Released by Opus Illuminate in 2020 and premiered by violinist Nathan Meltzer.
Additionally featured in the Pittsburgh Symphony Orchestra's "Front Row" series episode 3: "Finding Your Song" performed by violist Devin Moore.
Catalyst (2020) for solo violin, arr. viola ~5’
Written for the Yellow Barn Young Artist Program in 2020.
Impulse (2020) for solo viola ~5’
Written for Devin Moore and premiered April 21, 2021.
Progredí (2020) for solo snare drum ~4’
Written in collaboration with choreographer Orlando Harbutt and recorded by Tanner Tanyeri.
Exploration (2020) for solo cello ~4’
Written for Lydia Rhea and premiered January 30, 2020.
Etude (2019) for solo piano ~4’
Written for Umi Garrett.
In the State of Adaptation (2019) for solo dancer ~7’
Written in collaboration with Cyrie Topete for the Blueprint Fellowship through National Sawdust and the Juilliard School. Premiered November 17, 2019.
Devlali (2018) for solo double bass ~10’
Premiered by Peter Guild March 16, 2019.
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“New Work” (2024–2025) for cello, piano, and electronics
Commissioned by Natasha Brofsky.
In Tune (2023) for fixed media ~10’
Written in collaboration with choreographer Morgan Clune for the Hubbard Street Summer Dance Intensive and the Juilliard School Summer Dance Intensive in July 2023.
The Sculptor of Tyana (2023) for mezzo-soprano with motion sensor, cello, and brake drum ~8’
Commissioned by National Sawdust with support from the Onassis Foundation and the Virginia B. Toulmin Foundation for the 2023 Hildegard Commission Winners Concert on March 8, 2023 at National Sawdust.
Talk (2022) for dancer and motion sensor ~6’
Written in collaboration with Morgan Clune with a Mugic Motion Sensor and premiered on March 21, 2022.
Jolt (2022) for trombone and motion sensor ~7’
Written for Carlos Jiménez-Fernández and premiered May 12, 2022.
Hymnus (2021) for string quintet [2 violins, viola, cello, double bass] and fixed media ~7’
Commissioned by Opus Illuminate and premiered online June 24, 2021.
Murmurs (2021) for baroque flute and fixed media ~7’
Written for Ellen Sauer and premiered online June 15, 2021.
Still A Bell (2021) for recorded harpsichord and fixed media ~7’
Written in collaboration with choreographer Holden Cole for “Choreographers and Composers” at the Juilliard School.
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“New Work” (2025) for two dancers ~20’
Written in collaboration with dancer and choreographer, Caroline Beach, this 20’ work will be the first workshop of a larger, evening length work for the sounds of dance. To be workshopped with and premiered by dancers Aaron Choate and Morgan Clune of the Hubbard Street Dance Company on April 22, 2025.
In Tune (2023) for fixed media ~10’
Written in collaboration with choreographer Morgan Clune for the Hubbard Street Summer Dance Intensive and the Juilliard School Summer Dance Intensive in July 2023.
Talk (2022) for dancer and motion sensor ~6’
Written in collaboration with Morgan Clune with a Mugic Motion Sensor and premiered on March 21, 2022.
Still A Bell (2021) for recorded harpsichord and fixed media ~7’
Written in collaboration with choreographer Holden Cole for “Choreographers and Composers” at the Juilliard School.
Progredí (2020) for solo snare drum ~4’
Written in collaboration with choreographer Orlando Harbutt and recorded by Tanner Tanyeri.
In the State of Adaptation (2019) for solo dancer ~7’
Written in collaboration with Cyrie Topete for the Blueprint Fellowship through National Sawdust and the Juilliard School. Premiered November 17, 2019.
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“New Work”
An interactive and modular installation to be debuted on April 15, 2024 as a part of the Princeton Composer Generals presentation.
